I’m not usually a bored type of person. I’m actually more hyper-productive, if anything. But today…today has been boredom. Bored out of my mind (BOOMM).

Thankfully my friend Alex found me online and distracted me for a good chunk of time, updating me about the goings on of Turin, Italy, where he lives and works. He also told me about his lemon peel tea. Doesn’t that sound happy? I don’t think any food item with lemon in it can not be happy.

In other news:

• Alex Ross reports on a rather amusing Patch/Partch mix up.
• Radiohead has been sharing what’s in their stereos, and the list of piano pieces is pretty awesome:

Messiaen – Pierre-Laurent Aimard – Vingt regards sur l’enfant Jésus : III L’échange
Dutilleux – Anne Queffelec – Sonata for Piano: II
Ligeti – Jürgen Hocker – Continuum – Instrumental
Szymanowski – Martin Roscoe – 20 Mazurkas, Op. 50 : No. 1
Cage – Philipp Vandre – The Perilous Night – VI
Debussy – Jos Van Immerseel – Images No. 2 – Dans Un Mouvement D’une “Sarabande”
Messiaen – Pierre-Laurent Aimard – Vingt regards sur l’enfant Jésus : XI Première communion de la Vierge
Britten – Rolf Hind – Variations for solo piano: III
Thomas Ades – Thomas Ades – Darknesse visible
Ravel – Yukie Nagai – Gaspard De La Nuit: II. Le Gibet

For you Chicago kids, the awesome American composer John Adams will be giving a lecture at the School of the Art Institute of Chicago tomorrow night as part of the Chicago Humanities Festival.

6 PM is the go time. If you are a student or educator it’s free (FREE), otherwise an evening with Mr. Adams will only cost ya $10.

More details here.

… is “hypertalented” indeed. Her solo EP, Mind Raft, came out May 5. Download it on itunes and prepare to have it obsessively on repeat.

Listening to the Dirty Projectors makes me want to eat throbbingly red, juicy, fruit whilst watching water skittering across a hotplate. Yes, that’s my idea of a compliment.

I love them. I have loved them from the moment I heard them open for Grizzly Bear a few years ago in Boston…even though their leader, David Longstreth, drives me utterly insane. But whatever, that’s not what we’re here to discuss.

What I wanted to show you is this segment of an interview with David in which he goes into great length giving an example of how he incorporates the medieval compositional device of hocket in his own compositions for the band. Two things:

1) Why is he not giving this speech at a conservatory? Hello? Conservatories need to host more events like this.

2) “Um…and they did it in like 13th century monk music…Notre Dame, or whatever…” {Um, wow, maybe sound like you could care more? Am I alone in being sick and tired of blasé?}

Commence: hocketing

I’ve been going through one of those wholly uncomfortable, awkward, periods of creative frustration. As someone who feels emotions very strongly through the cells of my body, this means it – quite literally – feels like some kind of terrible, deep, muscle knot inside that I am powerless to relieve until the creative outlet appears. I make more frequent contracting physical motions. I can’t sleep.

It’s at these times when I look around at beautiful, insanely creative, women like St. Vincent (Annie Clark), Karen O, Björk, Zadie Smith, Kara Walker, and Anna Karina (or a list of others), and feel about as awesome as a common dishtowel on a whole lot of levels.

Often the malaise is predicated by tell-tale signs. In the past I would be struck instantly and out of the blue by an uncontrollable urge to cut my hair. So, in the past if you saw me with a very short pixie cut…it probably was a result of some creative upheaval just beginning to rumble. The other day I had an uncontrollable urge to wear red lipstick whilst listening to the Shostakovich Symphony No. 14, as if the music would actually sound different if I didn’t properly adorn myself. One time a couple of years ago it resulted in my Best Hair Ever – an asymmetrical bob with a bright green patch that faded from right to left on the nape of my neck.  These are my solutions because I’m introverted. My guess is Beethoven’s version was the constant traipsing about the village shouting and muttering to himself. I’m not brave enough for that kind of action. I wish I was. Must be at least entertaining to act so bizarre in public, and in that way liberatingly self-distracting.

My old roommate in Cambridge, an intensely creative individual herself, and I were discussing this during some previous incarnation of this state of being. She had a brilliant insight that as both mentally and physically taxing it is to hit these patches, it also signals growth. I guess it’s kind of like the stage where the germination has sprouted, but has to have the strength to push through the soil to the light above.

By the way, I’m not writing this to whine about it – I am specifically Not A Whiner, though it is terribly disquieting to feel this way. Really, I’m more interested in expressing that phenomenologically (for better or for worse kicking my “never let them see you sweat” manifesto to the carpet), this is how it manifests to me.

A chunk of the Berlin Wall is in Cambridge, MA – did you know? Probably not. It’s hidden, but cool to see if you get a chance. Today, I’m thankful for my freedoms.

Whenever I get homesick, I don’t need to click my ruby slippers, all I need to do is click “play.”

Phantom Filofax noise.

Thoughts that never finish, crumpling up like the pages you used to rip from your spiral notebook.

Paper snow/mental static.

Sometimes all I want to do is sit and stare at the ocean for a Very Long Time.